Lower Stomachstars Tattoos

REGIONAL DIVERSITY MUSIC


Local Music Nusantara
Introduction Definition and Characteristics of Regional Music

area
Music is music that grows and develops in a region or a particular region. For example, music is the music of East region growing and developing area of \u200b\u200bEast. Likewise, music is the music of Yogyakarta area grow and develop in the area of \u200b\u200bYogyakarta. Thus, music is the music Nusantara grow and develop in areas Nusantara (Indonesia).

In one excerpt from the newspaper said "Indonesia is the richest in the world for this kind 378 daerag music because it has roots music. This is a national azet so need to be preserved, some have not even exploitative and should continue to be developed and introduced, "said Chairman of the Department of National Culture Art Appreciation and Development of Information Technology at the United Artist singer, song and Playground Music Maker Recordings Indonesia (PAPPRI, James F. Sundah in Aberdeen, on Monday.)

common feature of folk music is as follows. The idea conveyed by the composer of music is not through the form of notation or pertitur writing, but orally. For example, he sang his composition before others when patrolling at night. The idea that then memorize the person and is spread from mouth kemulut. Be song known by the local community.

local music passed down through the generations from generation to generation orally. The older generation teaches music composition to the area's youth. They are taught how to sing or play music to their children verbally. These children will also forward it to their children anank.

song lyric, melody and rhythm of the strains showed typical cirri regionalism. For example, a song from Java, Java language and the rhythm of his verse melody using the notes of scales and Selendro pelog. Likewise, songs from the Jakarta area, Betawi language and the rhythm of his verse melody is generally from diatonic scales.

Music
area involving musical instruments area. Generally, folk songs in Indonesia accompanied by musical instruments typical of these areas. For example, folk songs Java generally accompanied by Javanese music instruments, the gamelan. Similarly, folk songs of North Sulawesi is generally accompanied by musical instruments typical of North Sulawesi, namely kolintang.

musical instruments are regions in Indonesia, among others Sasando from NTT, Tifa from Maluku and Papua, gamelan from West Java and gondang of Tapanuli. Each musical instrument has a different cirri, both of how jmemainkannya maupu sound it produces.
II. Variety, Music History and Function Areas.

Regional Music Variety Indonesia is one of a wealthy country. Not only the earth in abundance, but also culturally diverse society. Each music area has a clear distinction, in terms of tool use, melodic songs, as well as function. That's why the music that developed in each region has its own characteristics and berbedaantara one another. For example, in West Java, we know the music Genjring in Subang, Cirebon Tarling in da Tentreng in Sumedang.
In terms of songs, some authors classify folk songs in Indonesia for the two groups, namely as follows;
a) The songs area very close to the people. Features, music composition is simple and easy to digest. This song is also called folk song. This song is growing and growing and are known by almost all public areas. Generally, these songs are not known to its creator (Anonymous) and the themes that were raised about the activities of daily living community.
b) The songs created by composers regional or local artists or songs also called klasik.Ciri-character, complex musical compositions and materials, such as the use of notation, delivery style, rhythm, melody or style that is typical. Generally, the songs evolved in administrative centers, like the royal palace or in cultural centers. Local Music


In many places, the music was born and developed from the society's daily activities. For example:
- Angklung music from West Java. Originally, this instrument is used as a traditional percussion instrument ronda night and at the harvest festival or marriage
- music gondang of Tapanuli, commonly used in public ceremonies
Batak - Music mortar (kotekan) in several regions in Indonesia, which is usually played when pounding rice
- gamelan music from Java and Bali. In Javanese gamelan music at first only used in royal ceremonies in the palace. Meanwhile, in Bali, this music is only used in Hindu ceremonies, such as the human life cycle ceremonies.
- Music gong from Bali's leisure. This tradition of sacred music in nature and are generally used to accompany the ceremonies of death (Ngaben)
- Music Sasando gong from Rote. This traditional musical instrument made of palm leaves are numerous in this area Rote. The music is usually used as an entertainment, a dance and rituals of society Rote
- Music coral dodou of land area during the barito north, central Kalimantan. Dodou rock music is a kind of ritual music that can be witnessed at the time certain ceremonies, such as bathing the baby or give the show the baby's name (nokapati ceremony).
In its development, the music is constantly enhanced and enriched. With the creation of Indonesian artists, this music finds its modern form. Gamelan music, for example, was developed so that it becomes an important asset in tourism in Bali. Likewise Angklung music from West Java. The music is enhanced so that it can play a variety of songs from within and from abroad. The same is done for music kolintang enhanced by dividing the three instruments or tools. All three instruments have different functions, ie, instrument playing a melody, accompaniment (rhythm), and bass. Local Music

Each function has different music from each other. Functions in accordance with the wishes of the creator or the community owner. The music is scattered in various areas, seen from the function can be grouped into several functions.
1) As a medium of expression
For the artists, art is a media that can be used to reveal the existing expressions in him. Through their music to actualize her potential. Through music, they mnegungkapkan feelings, thoughts, ideas and ideals about the self, society, God, and his world. Similarly, local artists. They witnessed the conditions and expectations themselves and their society and memformulasikannya in the form of songs and play musical instruments. From their hands inilan born musical works that later can be enjoyed by society.
2) As
entertainment media music in various regions is also a means of entertainment for the people. Music is seen as a way to eliminate saturation due to daily routines as well as suggestions for recreation and a meeting with other residents. Generally people are very enthusiastic about watching various pargelaran music. They flock to the village hall or venue to watch even if the show is played by their own citizens.
3) As a media ceremony
Music in many parts of Indonesia is closely related to the ceremonies of indigenous communities, such as funeral ceremonies, marriage, or birth. In some areas, the sounds produced by a particular instrument or tool is believed to have magical powers. Therefore, such instruments are used as a means of indigenous communities. For example, angklung music in West Java community that is usually used in ceremonies or rites seren Taun rice harvest and the music of gongs and drums in the area Manggarai (Flores) that was used to cast out demons which hides one of its citizens.
4) As a dance accompanist
In various parts of Indonesia, the sounds or music that created a lot used to accompany the dances. Therefore, most regional dances. Therefore, most of the dance area in Indonesia can only be accompanied by its own country music. For example:
- the Balinese Kecak dance can only be accompanied by the strains of the distinctive sound of Bali
- Saman dance from Aceh can only be accompanied by the strains of the distinctive sound of Aceh
- Kancet Pepatay dance of Dayak tribe in Kalimantan, along with the song "Sak Paku "and just use the instrument till. Introduction

Local Music People Archipelago and Work Process
Every region in Indonesia must have figures of the music. These are a significant figure in the birth and development of their areas of music. Through his role, these leaders can maintain its tradition of music elements such as rhythm patterns and rhythm of the melody. They can develop it degan various creations that remain biased accepted by later generations.
Here are some figures in Indonesian traditional music:
- Daeng Sutigna and Imam Sukayat from West Java. Both figures are successfully developed angklung music from the original using the pentatonic scales diatonic scales. Thus, this instrument can play different types of music and is known throughout Indonesia.
- KH Dewantara and Ki Nartosabdo of Javanese gamelan music to successfully develop and wandali sariswara system.
- Macarius of Manggarai, NTT, which through the creation managed to lift a variety of folk songs in cassette. He also produced many memorable songs that keep people up to now.
- Nahum Situmorang and S. Dis from Tqapanuli famous with his work, such as "Dago Host Sarge" and "Butet".
- Djoko S.dari Jakarta with many of his works, such as, "ondel-ondel".
- Uddin, a local artist and songwriter, is now struggling folk songs launch a screen. He even has recorded the songs onto one master tape.
- Peter kaseke of Minahasa berhasisl make kolintang with two half-octave diatonic tones. Local Music
Work Processes
In the tradition of folk music, musical works are generally produced by a group of people although there are also works produced by an individual. A group of people is generally a group of local music or orchestral music. They work together to aimlessly a work of music.
Generally, the ideas of music from composers not submitted via a written form of notation or score, but performed oral seccara. Composers convey and teach the ideas of his music to a musician or singer. The music player or singer and then will memorize it and thanks to exercise, the idea of \u200b\u200bthis music can then be performed well.
In general, composers of this region can play various musical instruments. He can play a musical instrument from the simple to the more complicated. Thus, he can easily teach the ideas of his music to a musician or singer. Arrangements-music arrangements that have been created by composer-composer of this region then passed on to subsequent generations through the ways as above. The seniors will teach it to their juniors, so the next so that the music area is still known by members of the community.

Songs and Musical Instruments Archipelago Region
Song Song
regions in Indonesia very much. Each region or ethnicity in Indonesia almost certainly has her own distinct satu sama lain. Sebagai gambaran, berikut adalah sebagian kecil lagu-lagu daerah yang ada di Indonesia.
Judul Lagu
Daerah
Bungong Jeumpa
Nanggroe Aceh Darrussalam
Butet
Sumatera Utara
Ayam den Lapeh
Sumatera Barat
Lancang Kuning
Riau
Dek Sangke
Sumatera Selatan
Jali-Jali
Jakarta
Bubuy Bulan
Jawa Barat
Suwe Ora Jamu
Jawa Tengah
Cik-cik Periok
Kalimnatan Barat
Ampar-ampar Pisang
Kalimantan Selatan
O ina ni keke
Sulawesi Utara
Anging Mamiri
Sulawesi Selatan
O ulate
Maluku
Somba
Nusa Tenggara Timur
Yamko Rambe Yamko
Papua
Tanduk Majeng Madura


Sample folk song development in Indonesia: Krakatau
band ever to prove that folk music is also a music berkualitas.Tiga senior musicians gathered in a tiny stage in fX Music, Jakarta. At that session, Trie Utami was asked as a vocalist, Viky Sianipar hobo playing the flute, and keyboardist Purwacaraka fill the position. Then a voice mengalunlah Iie, Trie Utami familiar greeting, singing songs in the tempo was Bald Pacul: Gudul hoe cul-shaven, gembelengan Nyunggi nyunggi place is made up kul, Bakul gembelengan ngglimpang segane dadi sak traditional ratan.Tembang Central Java this is not something foreign to the ear . Another case has been arranged so the song repeated by all three, to be more fresh and nuanced kontemporer.Dan true, not just the song that will be re dipermak.


Musical Instruments or Region
Of all the musical instruments that exist, can be distinguished from the level of difficulty playing. Construction materials, and techniques memainkannya.Jika seen from the materials used, musical instruments made of different materials, such as of metal, wood, bamboo, coconut shell, clay, leaf herbs, skin and bone. As if seen from the playing techniques, musical instrument is being played way plucked, struck, tapped, blown, shaken, and swiped.
Here are some of the names of musical instruments found in areas of the archipelago:
Kendang Kendang
contained in the area Jawa.Kulit the right and left drums of Central Java is larger than the drums of West Java. Drum consists of several kinds, namely big drums, percussion gising, and drums bem. Drum skin named tebokan. Pereganngnya ropes called the snakes and the rings perengggangnya called enemy.
Some art from Central Java and East Java to use this instrument, such as musicians, ketoprak, puppet prototype and ludruk. Dog-Dog

Is a type of drum shell side contained some areas in the archipelago. The term dog-dog known in the West Java area. As in other areas, this instrument is known by the name gondra (Nias), pumpkin (Roti), and Gondra (Simalungun, North Sumatra).
Gondra known island of Nias is a long framed with heavy ukura 150-200 cm. Small Gondra called Rafai'i. As in Bengkulu this instrument known as the tabot and West diSumatra Tabuik known. In West Java, dog-dog is played to accompany the art reog (joke). How to play this instrument by using a paddle or the palm of the hand. Tifa

This instrument is a kind of drum, skinned side. Diameter of approximately 15-25 cm, approximately 50-70 cm in length, How to play it with girded. Tifa is played by being beaten to use your bat, sometimes also use the hand. Tifa numerous in Papua, Central Kalimantan, Nias, Maluku.
Kolintang
This instrument is derived from Minahasa (North Sulawesi). Kolintang consists of 14-21 wooden bar. This tool is played by being hit with a special bat. This instrument consists of the melodic and rhythmic section with diatonic scales. Orker kolintang used to accompany folk songs, pop, keroncong, as well as Western songs. Kolintang a musical instrument that has long existed. This instrument is sejak1948 introduced to the public area outside Minahasa.
talempong
talempong is a kind of boning contained in West Sumatra. This instrument is placed in a row on the wood named talempong duduak This instrument is sometimes played with a carry in his left hand and right hand hit him. This type is called talempong pacik talempong.

fife fife is a kind of musical instrument flute on the hole are given the tools peniupnya vibrating tongue. This instrument is found in North Sumatra, Kalimantan, and South Sulawesi with puwi name. Another name type of flute and reed jerupai ii is one who yearns. Also in Borneo known klendi and gerdek, namely several bamboo pipes bound together and the stems on an inflatable hollow shell.
Sampek
Sampek is a kind of three-stringed musical instrument played by means examined. This instrument is contained in the Dayak (Borneo). Sampek made with wood carving beautifully decorated. This instrument is used to accompany the local dances.
Rebab
Rebab a musical instrument from Java that is played by swiped, Musical instruments This is made from wood, container echoes (resonance) are covered by skin. Dawainya there are two and the gamut-from the local by pelog or Selendro.
fiddle parts, among others:
- Kupingan, string player
- Menur, the top or head fiddle called
- Palemahan, the foot touches the ground
fiddle - Jneng, fiddle neck
- Rangkung, wood bow fiddle
- Yoga, yarn bow (made from horse tail hair)

D. Summary
local music is music that grows and develops in a region or a particular region. Folk music include folk songs and folk music instrument. Key features regional music is lyric song, the rhythm of the melody, and rhythm show regional characteristics, passed down through the generations orally. In general, the function of music in Indonesia include the functions of society as a means or upaca media culture, entertainment, self expression, communication, and accompaniment tarian.Dengan familiar elements of folk music as it is expected that students, especially the younger generation to enhance a love of folk music.
One of the events that have been carried out to find the stars Nusantara is BMD (Local Music Stars Program) 2008, where the program is intended to increase the interest of the community and young people want to explore the culture of Indonesia for their respective regions, to increase the participation of caring and love our society against traditional songs and music of the archipelago, to preserve the cultural development of the Indonesian nation. Increase love and pride in their own nation's culture, explore the potential and creativity of young people of Indonesia and introduce the work of local musicians and singers reserved for regions can be recognized by the wider community as well as promotion of cultural arts district.

2. Classical Songs
: classic song is a song originating derah on traditional music. Classic song usually develops in the center-center governance. In ancient times the center of environmental governance is a royal palace or the Duchy. Cirri

features classic songs as follows: o
is great, it means digunakaan to accompany various keratin greatness ceremony, religious rites and ceremonies of a region.

o Created tau was created by a composer or punjangga palace.

o Have a standard pattern, such as rules of notation, lyric, rhythm and tempo.

o developed in tetulis.

o Have the theme of the history of royal grandeur, heroic knights, and the moral teachings of a society.

Example classic songs namely:

• Asmarandana , theme of love, lust
• Balakbak , themed comedy, jokes
• Dangdanggula , theme of peace, mercy, joy
• Durma , the theme of anger, pride, spirit
• Gambuh , the theme of grief, distress, pain
• Gurisa , fantasy theme
• Jurudemung , the theme of confusion
• Kinanti , the theme of waiting
• Symbol , themed joke with aspects of reflection
• Magatru , the theme of regret
• Maskumambang , deep sadness theme
• Mijil , the theme of sadness that raises hopes
• pickaxe, feelings theme carry a heavy task before
• Pucung , theme anger in yourself
• Sinom , themed fun
• Wirangrong , theme rasa malu akan tingkah laku sendiri
• Ladrang , bertemakan sindiran

Contoh lagu

Asmarandana , bertemakan cinta kasih, birahi.
Contoh pupuh:

PIWURUK SEPUH
Ngariung di tengah bumi,
pun biang sareng pun bapa,
jisim abdi diuk mando,
husu ngupingkeun pituah,
piwejang ti anjeunna,
pituduh laku rahayu,
piwejang sangkan waluya.

Balakbak , bertemakan lawak, banyolan
Contoh pupuh:

DAYEUH BANDUNG
Dayeuh Bandung kiwari teuing ku rame-araheng,
gedong-gedong pajangkung-jangkung wangunna-alagreng,
tutumpakan-tutumpakan balawiri lalar liwat-garandeng.

Dangdanggula, bertemakan ketentraman, keagungan, kegembiraan
Contoh pupuh:

MILANG KALA
Dinten ieu estu bingah ati,
ku jalaran panceg milang kala,
kenging kurnia ti Alloh,
rehing nambahan taun,
tepung taun umur sim abdi,
henteu weleh neneda,
ka Gusti Nu Agung,
malar umur teh mangpaat,
tebih bahla turta pinarinan rijki,
sumujud ka Pangeran.

Durma, bertemakan kemarahan, kesombongan, semangat
Contoh pupuh:

LEMAH CAI
Nagri urang katelah Indonesia,
diriksa tur dijaring,
sumirat komarana,
berkahna Pancasila,
ageman eusining nagri,
yu sauyunan,
ngawangun lemah cai.

Gambuh, bertemakan kesedihan, kesusahan, kesakitan
Contoh pupuh:

KADUHUNG
Kaduhung sagede gunung,
kuring sakola teu jucung,
lalawora resep ulin,
hanjakal tara ti heula,
ayeuna kari peurihna.

Gurisa, bertemakan khayalan
Contoh pupuh:

SI KABAYAN
Si Kabayan lalamunan,
pangrasa bisa nyetiran,
motor atawana sedan,
poho keur eundeuk-eundeukan,
na dahan emplad-empladan,
gujubar kana susukan.

Jurudemung, bertemakan kebingungan
Contoh pupuh:

ADIGUNG
Lolobana mungguh jalma,
embung hina hayang agung,
hayang hirup mukti,
tapina embung tarekah,
tinangtu mo bakal nanjung.

Kinanti, bertemakan penantian
Contoh pupuh:

KANYAAH INDUNG
Kanyaah indung mo suwung,
lir jaladri tanpa tepi,
lir gunung tanpa tutugan,
asihna teuing ku wening,
putra teh didama-dama,
dianggo pupunden ati.

Lambang, bertemakan lawak dengan aspek renungan
Contoh pupuh:

WAWANGSALAN
Dialajar wawangsalan,
saperti tatarucingan,
cik naon atuh maksudna,
teangan naon wangsalna,
gedong ngambang di sagara,
ulah kapalang diajar,
keuyeup gede di lautan,
kapitineung salawasna.

Magatru, bertemakan penyesalan
Contoh pupuh:

KASAR - LEMES
Dupi irung lemesna teh nya pangambung,
pipi mah disebat damis,
upami buuk mah rambut,
ceuli sok disebat cepil,
kasarna angkeut mah gado.

Maskumambang, bertemakan kesedihan yang mendalam
Contoh pupuh:

BUDAK JAIL
Anak manuk dikatepel budak jail,
jangjangna getihan,
rek hiber teu bisa usik
duh manusa kaniaya.

Mijil, bertemakan kesedihan yang menimbulkan harapan
Contoh pupuh:

NUNGTUT ELMU
Najan cicing nya di tepiswiring,
kade ulah bodo,
kudu tetep nungtut elmu bae,
sabab jalma nu loba pangarti,
hirup tangtu hurip,
mulus tur rahayu.

Pangkur, bertemakan perasaan sebelum mengemban sebuah tugas berat
Contoh pupuh:

KA SAKOLA
Seja miang ka sakola,
rek diajar nambahan elmu pangarti,
pigeusaneun bekel hirup,
sabab mungguhing manusa,
kudu pinter beunghar ku elmu panemu,
komo jaman pangwangunan,
urang kudu singkil bakti.

Pucung, bertemakan rasa marah pada diri sendiri
Contoh pupuh:

TATAKRAMA
Mangka inget tatakrama sopan santun
tanda jalma iman,
nyarita jeung amis budi,
da basa mah lain barang anu mahal.

Sinom, bertemakan kegembiraan
Contoh pupuh:

TATAR SUNDA
Tatar Sunda estu endah,
lemah cai awit jadi,
sarakan asal gumelar,
amanat Ilahi Robbi,
titipan nini aki,
wajib dijaga dijungjung,
basa katut budayana,
padumukna luhung budi,
insya-Allah tatar Sunda karta harja.

Wirangrong, bertemakan rasa malu akan tingkah laku sendiri
Contoh pupuh:

SIEUN DORAKA
Kuring moal deui-deui,
gaduh panata nu awon,
ngabantah nu so ovaries, I Gusti
sieun dibendon,
kawas Dalem Boncel tea, ti doraka
mother-rama.

Ladrang, themed satire
Sample stanza:

MOKAHAAN
Aya hiji leutik Bangkong child,
mokahaan,
maksudna ngelehkeun cow,
antukna bitu beuteungna held her breath.

3. Popular folk songs

derah Various popular songs are usually accompanied by the tools of modern music, but can also be accompanied by traditional music instrument. Even sometimes a song made popular collaboration tool accompanied by traditional music with modern music devices.

Bubuy Bulan

karangan / ciptaan : benny korda

Bubuy bulan
Bubuy bulan sangray bentang
Panon poe
Panon poe disasate

Unggal bulan, unggal bulan
Unggal bulan abdi teang

Unggal poe,unggal poe
Unggal poe oge hade

Situ ciburuy
Laukna hese dipancing
Nyeredet hate
Ningali ngeplak caina

Duh eta saha nu ngalangkung
Unggal enjing
Nyeredet hate
Ningali sorot socana

Dipoulerkan oleh Diah Iskandar

Bubuy Bulan di Populerkan oleh Diah Iskandar and created by Beni Kerda